Construyendo todo el tiempo

ABOUT THE EXHIBITION

 

Construyendo todo el tiempo proposes an analogy between the construction of an artist's career and the construction of infrastructure. Both share the same principle: they are built from the ground up, requiring time, resilience, and constant attention to the process.

 

The exhibition stems from the idea of art as an unending work. A process that is not limited to the final object, but rather is built from successive layers: emotional, energetic, conceptual, and material. Each of these layers becomes part of the artist and manifests itself, gradually, in different expressions that emerge and inhabit our daily lives.

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In this project, the space at Chihuahua 140 is activated as an organism in transformation. Far from functioning merely as a container, the place becomes part of the exhibition discourse, engaging in dialogue with the artworks and reinforcing the notion of a continuous process. The practices of the participating artists, diverse in language and materiality, converge in a shared reflection on time, permanence, and the daily construction of artistic practice.

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Construyendo todo el tiempo invites the viewer to observe art not as a finished result, but as a state in constant becoming, where each gesture, each decision and each stage are part of a larger structure that never ends up closing.

 

RELATIONSHIP WITH SPACE

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Chihuahua 140, located in a transforming urban context, reinforces the central metaphor of the exhibition. Its architecture and recent history engage with the idea of ongoing construction, making the space an active element within the visitor experience.

 

IMPACT AND EXPERIENCE

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The exhibition created a meeting point between artists and the public, proposing a reflective experience around the creative process and the idea of the work as a vital construction.